Backstage at The Oscars : Life of Pi, Best Visual Effects:
26 Feb 2013
¦b¶ø´µ¥d¹{¼ú§¤W ±o¨ì”³Ì¨Îµøı®ÄªG”ªº¡mLife of Pi¡nBill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer ¤Î Donald R. Elliott . ¦b±o¼úºt»¡®ÉBill ¦b«á¬q¥¿n´£¤ÎR&H¨Æ¥ó®ÉÔ³Q¤j¥ÕÃT°t¼Ö¾B»\ . . .
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·í¤¤Bill»¡ :
What I was trying to say up there is that it’s at a time when visual effects movies are dominating the box office, that visual effects companies are struggling. And I wanted to point out that we aren’t technicians. Visual effects is not just a commodity that’s being done by people pushing buttons. We’re artists, and if we don’t find a way to fix the business model, we start to loses the artistry. If anything, LIFE OF PI shows that we’re artists and not just technicians.